As a full-time headshot photographer for over a decade, I’ve coached countless clients into their best poses—and I’m here to share my go-to tips for looking polished, confident, and approachable.

When Canon announced the R5 Mark II, I wasn’t planning to upgrade. My R6 Mark IIs are perfect for headshot work—most of my clients use their images on LinkedIn or websites, where ultra-high resolution isn’t a concern. However, after giving it some thought (and a few tests), I realized there are a few situations where the extra resolution and features are game-changers.

When Canon released their new hybrid 35mm 1.4, I didn’t think it was for me. As a headshot photographer, 35mm is a bit too wide for my usual work. However, with some interesting video-centric features like an iris control ring, I decided to give it a try.

Are you planning a headshot day for your colleagues in the office? Or maybe you’re hosting a conference and need a headshot booth? Either way, choosing the right photographer for your corporate headshot project can be a daunting task.

When Canon released the new 24-105 f2.8 RF lens, I was initially uninterested. My experience with the 28-70 f2 lens was underwhelming due to its limited range and awkward size. However, in situations where f2.8 is necessary, f4 simply doesn’t cut it. So, I decided to give the new lens a second look.

When the M4 iPad Pro was released, I found myself contemplating whether it was worth upgrading from my existing iPad Pro. I know Apple Silicon is nothing to write off, but my previous iPad Pro was still performing well. So, is the upgrade really worth it?