When Canon announced the updated design, I was instantly intrigued. While the original RF 70-200mm f/2.8 was a great lens, I never fully loved the telescoping zoom design. The long zoom ring throw felt cumbersome, and while the compact size was beneficial for discreet travel (like an architecture photography tour I did in LA), it wasn’t ideal for my typical studio and corporate headshot sessions.

A great headshot should look confident and natural, not forced or uncomfortable. After over a decade of coaching professionals into their best headshots, I’ve seen the same posing mistakes pop up time and time again. So let’s talk about five key things to avoid during your session.

As a full-time headshot photographer for over a decade, I’ve coached countless clients into their best poses—and I’m here to share my go-to tips for looking polished, confident, and approachable.

When Canon announced the R5 Mark II, I wasn’t planning to upgrade. My R6 Mark IIs are perfect for headshot work—most of my clients use their images on LinkedIn or websites, where ultra-high resolution isn’t a concern. However, after giving it some thought (and a few tests), I realized there are a few situations where the extra resolution and features are game-changers.

When Canon released their new hybrid 35mm 1.4, I didn’t think it was for me. As a headshot photographer, 35mm is a bit too wide for my usual work. However, with some interesting video-centric features like an iris control ring, I decided to give it a try.

Are you planning a headshot day for your colleagues in the office? Or maybe you’re hosting a conference and need a headshot booth? Either way, choosing the right photographer for your corporate headshot project can be a daunting task.